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Documenten in de categorie Kunst en Cultuur

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1000mW Mini DIY laser machine de gravure http://www.laserpuissant.com/1000mw-laser-miniature-machine-de-gravure.html
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groene laser pointers hebben een golflengte van 532nm laserpen groene 300mw Ik denk dat 5 mW moet genoeg zijn. In sommige winkels die Astro 500mw laserpen aangeboden groen met maximaal 15 mW. Wie wil volledig overdrijven, kan een mitmehr zo hoog laser pointer te kopen. Dat brengt in ieder geval een betere balk, de hele zaak maar ook gevaarlijk!
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extrem starker laserpointer 10000mw source url : http://www.deulaser.com/extrem-starkster-blauer-laserpointer-10000mw.html .Dieses Produkt ist zuverlässig und preiswert prix.Il der Lage ist, Vögel zu löschen, leuchtet das Papier und Zigarette, die macht es großartig! Für den Betrieb dieser blauer Laserpointer 10000mw leistungsstarke Ultra verwendet zwei 16.340-Batterie, die in zur Verfügung gestellt wird deine bestellung.
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www_portablesbatterie_com_toshiba_pa5024u_1brs_html http://www.portablesbatterie.com/toshiba-pa5024u-1brs.html Retrouvez tous nos modèles de Batterie et chargeurs pour ordinateur portable Toshiba PA5024U-1BRS au meilleur prix ! sont assembles partir de cellules Japonaise de Haute qualit. Tous nos batterie Toshiba PA5024U-1BRS ont garantie d'un an.
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Språknytt # 2 - 2014 Hvordan setter man ord på sensitive temaer som fysiske trekk, seksuell orientering og religiøs og etnisk tilhørighet? Hvordan skal vi utvikle og oppdatere gode ordbøker for fremtiden? Hvordan blir adressen din nå som det kreves at alle boliger, hytter og næringseiendommer skal ha adresse med veinavn og husnummer?
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80 test
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Språknytt #1 - 2014 Hva svarer de som lager ordbøker, når noen spør dem om det er lov å bruke et ord som ikke står i ordboka?
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A Boy with a Broken heart 162- FS - Full Score Pop Song, Full score for pop group
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Lion City Opus 20 FS - Full Score Theme for Singapore Full score
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Jean_s Waltz 109- PA - Piano Score Modern Classical Waltz, piano arrangement
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Onderzoek TV kijken Nederland 12-2013 Nederlanders kijken per dag gemiddeld 190 minuten televisie. Dat is volgens het onderzoek Moving Pictures van SKO (PDF) een minuut meer dan vorig jaar. Al is dit onderzoek uitgevoerd voordat Netflix actief was in Nederland. Verrassend aan de cijfers van Stichting Kijkonderzoek is hoe het kijkgedrag van de jeugd zich ontwikkelt. De groep 13- tot 19-jarigen ziet per dag 46 procent beeld dat voor de televisie is geproduceerd (2012: 47%). De rest is user generated video (26%) en andere professioneel geproduceerde AV-content (29%, denk aan muziekclips op YouTube en webisodes). De leeftijdsgroep daarna, die van 20 tot 35, daalde harder. Die groep ging in een jaar van 67 procent naar 54 procent van de kijktijd die aan TV werd besteed. Zowel user generated content als professionele producties wonnen sterk.
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Språknytt #3 - 2013 I denne utgaven kan man lese mer om: - overgangen fra dansk til norsk på norske teaterscener - tolking som uttrykk for naivitet, mistenksomhet og velvilje og om den gylne middelvei - er det mulig å bli kvitt det snirklete byråkratspråket i forvaltningen?
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Språknytt #2 - 2013 Ivar Aasen 200 år. Spårknytt inneholder flere artikler som gjør oss bedre kjent med Ivar Aasen.
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Edvard Munch Edvard Munch, Norway’s greatest painter, began his long career in 1880 at the age of seventeen. He brought art and life together by communicating his own personal experience passionately. His intense expression of raw human emotion and his exploration of psychological states have a universal appeal which still speaks to us today.
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Training Artists for Innovation Cultural and creative fields are seen to provide significant opportunities for sustainablegrowth and employment both at nationallevel and at the EU level in Europe. In these fields, employment has been stable despite recession in recent years. Also, the employment of young people has been greater in relation to other industries.
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Innsyn som anonym 20130419 Innsyn som anonym 20130419
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Innsyn som anonym hhh
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Innsyn som anonym 19042013 Petimeteret diskuterer ulike aspekter ved det å søke innsyn anonymt
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Innsyn som anonym 19042013 Innsyn som anonym 19042013
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Sophie E. Flinder Portfolio Portfolio Sophie E. Flinder
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Språknytt #1 - 2013 Kulturminister Hadia Tajik oppfordrer alle til å veie sine ord, til å snakke så folk forstår, og til å ikke være for late. Hun snakker om språkmakt og leseglede, om målformer og engelsk og om sin egen språkbakgrunn.
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Innsyn som anonym Det å søke innsyn som anonym
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Characterising Scotland’s Marine Archaeological Resource ARCHAEOLOGICAL RESOURCE 1 INTRODUCTION 1.1 PROJECT BACKGROUND 1.1.1 Historic Scotland (HS) has sought to use resources available under the provisions of the Protection of Wrecks Act 1973 in a more wide ranging manner than before. In particular to address a need to better understand the nature of Scotland’s marine archaeological heritage, with respect to managing and protecting that heritage. This includes many elements not previously examined under the marine archaeological services contract. 1.1.2 Previously the emphasis for management and protection of the resource has centred on specific statutorily designated shipwrecks. There has been a change of emphasis stemming from a recognition of the potential richness of Scotland’s marine archaeological heritage (HS/BEFS 2009). 1.1.3 There is now an awareness of the variety of that resource. The purely marine archaeological resource can be broadly categorised as consisting of four main elements: 􀁸 Shipwrecks; 􀁸 Marine infrastructure; 􀁸 Aircraft wrecks; 􀁸 Submerged prehistoric landscapes. The existence of spot-finds of material potentially associated with any of these elements should also be noted. The presence of a number of types of archaeological asset, including a large onshore coastal archaeological heritage, for example onshore lighthouses, but also vessels on inland waterways and the prehistoric and early historic log boats known in Scotland, that relate to the marine archaeological heritage is noted: the characterisation of these resources falls outside of the remit of this project. 1.1.4 The advent of statutory marine planning in Scotland through the Marine and Coastal Access Act 2009 and Marine (Scotland) Act 2010 provides an opportunity to encourage sustainable economic growth for the coasts and seas around Scotland while affording protection to the full scope of the nationally important marine archaeological resource. A series of data enhancement projects have been commissioned in response to these changes: in England these have included the Assessing Boats and Ships Project (Wessex Archaeology 2011a). 1.1.5 As part of this overall process the Scottish Government has issued Scotland’s Marine Atlas. The cultural heritage section of the atlas is based on the ABP Mer
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